An image from the Hawaiian model series. Aka: I’ve got a lot of good gestures lying around all of the same guy.
This one had a mishap with the scanner. I didn’t realize until later. I wonder what that says about my line work?
AKA: The Layout Special
Scene one is here and scene two now has a home here.
I have a confession to make. When I do “camera moves” for my storyboards, I skip a step and go straight to workbook — is that phrase in use anymore? — or even to some sort of preliminary layout stage.
I used to (and sometime still do) tell people I’m a storyboard artist, but I’m much more interested in how every stage of production fits together to create the final whole; divisions between storyboards, layout, or even editorial can be a bit fluid with that mindset.
Only after drawing something like this workbook/layout/whatever would I break it down into sequential panels to imply camera moves (in this case a combination truck-out and pan up.)
I never got around to breaking this one down. Maybe I recognized the purpose of the exercise had come to a close?
New page! Everything posted thus far here.
A continuation of some storyboards I did for a self-directed project called “Break Progress.” Scene one is here.
A continuation of some storyboards I did for a self-directed project called “Break Progress.” Scene one is here.
A continuation of some storyboards I did for a self-directed project called “Break Progress.” Scene one is here.