Sketchbook Male Gesture 17
An image from the Hawaiian model series. Aka: I’ve got a lot of good gestures lying around all of the same guy.
Wobbly line work.
Sketchbook Male Gesture 16
An image from the Hawaiian model series. Aka: I’ve got a lot of good gestures lying around all of the same guy.
Last of the shorter stuff. Sitting poses next time!
Rough Pencils – Owl follows Mole, Big Hospital
New page! Everything posted thus far here.
Going over that hospital for the “clean line” page fills me with dread. Too many lines.
Practice in Animation Storyboards – The Last Scene 01
Getting to the end here. Start of an unfinished third scene. I might just add these images to the existing scene two page here.
Drawings got good. I was, however, not really sure where the scene was going.
Sketchbook Male Gesture 15
An image from the Hawaiian model series. Aka: I’ve got a lot of good gestures lying around all of the same guy.
I got nothing to say for this one.
Sketchbook Male Gesture 14
An image from the Hawaiian model series. Aka: I’ve got a lot of good gestures lying around all of the same guy.
This one had a mishap with the scanner. I didn’t realize until later. I wonder what that says about my line work?
Wobbly legs.
Sketchbook Male Gesture 12.5
An image from the Hawaiian model series. Aka: I’ve got a lot of good gestures lying around all of the same guy.
Apparently I missed one. Oops.
Sketchbook Male Gesture 13
I’ve got a lot of good gestures lying around all of the same guy.
I think this drawing got out of order. This sketch is a bit older and of a shorter drawing duration.
Practice in Animation Storyboards – The Next Scene 13
AKA: The Layout Special
Scene one is here and scene two now has a home here.
I have a confession to make. When I do “camera moves” for my storyboards, I skip a step and go straight to workbook — is that phrase in use anymore? — or even to some sort of preliminary layout stage.
I used to (and sometime still do) tell people I’m a storyboard artist, but I’m much more interested in how every stage of production fits together to create the final whole; divisions between storyboards, layout, or even editorial can be a bit fluid with that mindset.
Only after drawing something like this workbook/layout/whatever would I break it down into sequential panels to imply camera moves (in this case a combination truck-out and pan up.)
I never got around to breaking this one down. Maybe I recognized the purpose of the exercise had come to a close?
Rough Pencils – The Invisible Squirrel Cracks a Joke
New page! Everything posted thus far here.
